Minggu, 13 November 2011

[Z963.Ebook] PDF Download A World History of Architecture, by Michael Fazio, Marian Moffett, Lawrence Wodehouse

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A World History of Architecture, by Michael Fazio, Marian Moffett, Lawrence Wodehouse

A magnificently illustrated guide to the global history of architecture―updated to include the non-western world and works from women

The Second Edition of this historical architectural guide gives you a deeper knowledge and wider perspective of traditions in architecture throughout the world―from prehistoric through modern structures. Extensively and beautifully illustrated, the book includes photos, plans, scales for world-famous structures such as the Parthenon, Versailles, the Brooklyn Bridge, and many others.

  • Sales Rank: #126695 in Books
  • Published on: 2008-02-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.80" h x 1.80" w x 9.20" l, 6.43 pounds
  • Binding: Hardcover
  • 608 pages

About the Author
Michael Fazio is emeritus professor of architecture at Mississippi State University. He is the author of The Domestic Architecture of Benjamin Henry Latrobe.

Marian Moffett taught architectural history at the University of Tennessee. Her publications include A History of Western Architecture, and East Tennessee Cantilever Barns.

Lawrence Wodehouse taught architectural history at the University of Dundee and various American universities.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Poor advertisement
By erik
The book received does not resemble what the image advertised and the condition is ratty at best.

0 of 0 people found the following review helpful.
good history learned
By Amber Shen
Text book, good history learned

13 of 13 people found the following review helpful.
best comprehensive history of Western architecture by academics
By Jeffrey L. Blackwell
For its type & audience, this is the most comprehensive of the academic histories of World architecture (with a Western emphasis). It has the same limitations as nearly all academic texts in this field, focusing unquestioningly upon traditional periods of style and almost no background regarding the political & technical changes that produce new paradigms in building technique & architectural form.

To the authors' credit, with so much to cover in one volume, their selections were superb. Here are a few critical comments (intended constructively) regarding a text that is overall superbly concise. I feel they over-represent medieval architecture at the expense of Islamic architecture ( Arab,Persian, & Mongol). Also, the 1st & 2nd Industrial Revolutions should be emphasized after 1850.

1) 12th-13th century is all Western / European medieval. Probably state-of-the art architecture of this era was Islamic -- we know that Islamic empires and Monguls were conquering much of Asia during these centuries.

2) Any history of architecture over 2000 years should include at least 3 factors which foment innovations in building techs: catastrophe (Great Fire of London, Great Chicago Fire,), environmental challenges (Venice on a lagoon, St Petersburg on a swamp), War & conquest (Hellenism & Alexander, Islamic empires after 800 ad, post-WWII rebuilding of Europe)

3) How can you discuss medieval manors & castles but not discuss the 17th / 18th century mercantile plantations of the Dutch, Portuguese, Spanish and British empires?

4)The effects of the first and second Industrial Revolutions upon architecture should be the FOCUS of 19th century and early 20th century architectural history.

5)In terms of 20th century architecture, you cannot evaluate skyscrapers without first understanding the infrastructure that made vertical building possible: elevators, fire protection, steel frames, electrical power, cheap floated glass, etc.

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Sabtu, 12 November 2011

[F325.Ebook] Download PDF The Analysis of Wonder: An Introduction to the Philosophy of Nicolai Hartmann, by Predrag Cicovacki

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Structured to introduce the reader into all aspects of the philosophy of Nicolai Hartmann (1882-1950), this book aims to stimulate further interest into his thought. Once considered the most studious and systematic of all the German philosophers of the twentieth-century, this prolific author has been nearly forgotten. For many years a student and an admirer of Hartmann's work, Cicovacki argues that a closer look into Hartmann's ontologically and axiologically oriented philosophy contains a promise of a vital philosophical orientation, especially with regard to our understanding of the nature, place, and role of humanity in the larger world. "The Analysis of Wonder" - Hartmann's own definition of philosophy - is an invitation to the readers to challenge their preconceived and self-interested notions of reality in order to relearn to appreciate the always changing and conflicting world, in all of its complexity, richness, and sublimity.

  • Sales Rank: #2105326 in Books
  • Brand: Bloomsbury Academic USA
  • Published on: 2015-07-30
  • Released on: 2015-07-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .39" w x 5.50" l, .50 pounds
  • Binding: Paperback
  • 184 pages

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Fell in love with this book
By CJ
The philosophy of Nicolai Hartmann, as presented here by the author, seems to make the most sense of that of any philosopher I've read or read about, either ancient, early modern, or contemporary. The dry table of contents conceals the author's compelling and sometimes even moving style of argumentation, making this the opposite of a dry philosophy introduction, as testified to by the fact that I, a grammar Nazi, couldn't care less that the author's use of prepositions and articles was often ungrammatical. It seems to me that our era is well-suited to a reappraisal of Hartmann's thought.

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Sabtu, 05 November 2011

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  • Published on: 1600
  • Binding: Paperback

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Jumat, 04 November 2011

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  • Sales Rank: #38417 in Books
  • Published on: 2015
  • Binding: Paperback

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Senin, 31 Oktober 2011

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Dispute over land and kingdom may lie at the heart of this story of war between cousins the Pandavas and the Kouravas but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. In this superb and widely acclaimed translation of the complete Mahabharata, Bibek Debroy takes on a great journey with incredible ease.

  • Sales Rank: #923598 in Books
  • Published on: 2015-07-01
  • Number of items: 10
  • Dimensions: 12.76" h x 8.98" w x 10.63" l, 12.83 pounds
  • Binding: Paperback

About the Author
Bibek Debroy is a member of Niti Aayog. He is an economist who has published popular articles, papers and books on economics. He also writes on Indology and Sanskrit. Penguin published Sarama and Her Children: The Dog in Indian Myth in 2008 and his translation of the Bhagavad Gita in 2006. Bibek Debroy was awarded the Padma Shri in 2015.

Most helpful customer reviews

9 of 13 people found the following review helpful.
Accurate to the Critical Edition but not an easy read.
By Shaun Disch
I am thoroughly enjoying this read, but it is slow going. It is accurate to the Critical Edition which is good for scholars possibly, but it is not fluid or beautiful to read. For example, Arjuna and every other character has an abundance of names, so throughout the text Bibek has the alternate name in the text with a footnote telling you that the character you have never heard of before is.....Arjuna. Again, and again, and again. For every character. Couldn't he have just put Arjuna, Indra, Bhishma etc in for us so we can just read the text without looking at the bottom of the page constantly? I really wanted to read the complete text, and I believe this is the best version for that at the moment in modern English (2015), but once I finish this monster I will sell it and get Ramesh Menon's version since I just got his version of the Bhagavata Purana and it is very enjoyable to read and the physical presentation is beautiful so the whole experience is warm and magical to me. Bibek is an economist so it makes sense that this is a perfectly accurate, yet cold and heartless translation. The stories themselves shine through but you have to polish it with your imagination.

0 of 0 people found the following review helpful.
It's great they finally published a contemporary English translation of this ...
By Amazon Customer
It's great they finally published a contemporary English translation of this epic, but this is a mass market paperback edition. ROUGH paper.

0 of 2 people found the following review helpful.
Five Stars
By Imperialism13
Perfect compilation

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Jumat, 21 Oktober 2011

[T135.Ebook] Get Free Ebook The Library of Alexandria, by Kelly Trumble

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The Library of Alexandria, by Kelly Trumble

The Library of Alexandria, by Kelly Trumble



The Library of Alexandria, by Kelly Trumble

Get Free Ebook The Library of Alexandria, by Kelly Trumble

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Investing the extra time by reviewing The Library Of Alexandria, By Kelly Trumble could provide such wonderful experience even you are only sitting on your chair in the workplace or in your bed. It will certainly not curse your time. This The Library Of Alexandria, By Kelly Trumble will guide you to have even more priceless time while taking rest. It is really enjoyable when at the midday, with a cup of coffee or tea and a book The Library Of Alexandria, By Kelly Trumble in your gizmo or computer monitor. By enjoying the sights around, here you can start checking out.

The Library of Alexandria, by Kelly Trumble

The Library of Alexandria was the largest library of its time and a major center for learning and scholarly research, particularly in the fields of astronomy, geography, mathematics, and medicine. Caesar and Cleopatra, Erastosthenes and Euclid, Archimedes and Alexander the Great are just a few of the famous people connected to its story. Today, historians still argue about how the library was destroyed, and no one knows exactly what it looked like, yet there is no question that the library continues to fascinate and intrigue us. This extensively researched look at what we do know about the Library of Alexandria features Kelly Trumble’s short, accessible chapters, and richly detailed full-color paintings by Robina MacIntyre Marshall. Together, they tell the story of one of the wonders of the ancient world, and show how its influence as continued long after its destruction. Glossary, suggested reading, selected bibliography, index.

  • Sales Rank: #309222 in Books
  • Published on: 2003-11-17
  • Released on: 2003-11-17
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .19" w x 8.00" l, 1.05 pounds
  • Binding: Hardcover
  • 80 pages

From School Library Journal
Grade 5-9-In this well-organized and thorough resource, Trumble delves into the people, legends, and politics surrounding the creation and ruin of the largest library in the ancient world. The chapter on collecting books details its methods of acquisition, which ranged from payment to thievery. A section on Alexandria's competitor, Pergamum, located in Asia Minor, provides an opportunity to describe and contrast the use of parchment and papyrus. Much attention is paid to the scholars who utilized the library and their achievements. For example, Eratosthenes calculated the circumference of the Earth. Herophilus practiced dissection and probably vivisection, adding much to contemporary understanding of the function of human organs and systems. Back matter includes maps, the Ptolemy family tree, and a description of sites in ancient Alexandria. The full-color, single-page illustrations, rendered in watercolor and gouache, are uneven. Marshall is more successful at depicting the flow of fabric, architectural ornamentation, and inanimate objects than in capturing the proportions and physicality of the human body. The modern-day Bibliotheca Alexandrina, an institution inspired by its ancient predecessor, is given only a brief mention. These flaws notwithstanding, this book is a unique and timely celebration of the age-old passion for and preservation of ideas.
Wendy Lukehart, Washington DC Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 5-7. It's hard to find an untouched topic in children's nonfiction, but this comes close. The library at Alexandria was the most famous in the ancient world, a center of learning, a place where much original research in astronomy, anatomy, mathematics, and science was done. Trumble begins with Alexander, who wanted to build a great city in Egypt, but died before it was finished. It was one of his successors who built the library and stocked it with a vast collection of books, some obtained through nefarious means. Succeeding chapters describe the research done at the site, the most interesting, perhaps, being the work of Herophilus, who became an expert in human anatomy by practicing vivisection in order to learn more. Some of the attractively illustrated, full-page color paintings are full of activity; others are more stilted, simply showing people in discussion. In either case, however, the art has a younger feel than the strong, interesting text. A useful support for curriculum. Ilene Cooper
Copyright © American Library Association. All rights reserved

Review
"a stirring account...performs a worthy task in bringing a fabled institution of learning up from the footnotes." KIRKUS REVIEWS Kirkus Reviews

"It's hard to find an untouched topic in children's nonfiction, but this comes close...a useful support for curriculum" BOOKLIST Booklist, ALA

"a dramatic tableau...antiquity hounds will find a bundle of information, acessibly packaged." THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS The Bulletin of the Center for Children's Books

"well-organized and thorough resource...a unique and timely celebration of age-old passion for and preservation of ideas." SCHOOL LIBRARY JOURNAL School Library Journal

Most helpful customer reviews

13 of 13 people found the following review helpful.
An exceptionally vivid presentation
By Midwest Book Review
Robina MacIntyre Marshall's fine drawings lend to this outstanding survey of the Library of Alexandria - which was much more than a simple repository of books. Scholars who visited the Library dissected corpses, star-gazed, and had controversial discussions speculating about science, nature and the world. Their findings would change world knowledge. An exceptionally vivid presentation, Kelly Trumble's Library Of Alexandria would make a popular and welcome addition to both school and community library collections.

2 of 2 people found the following review helpful.
Engaging Read, Interesting Illustrations & Vignettes, Links Past to Today
By J. Hearrington
As I am not a trained artist, I disagree with the other reviewer. I think the illustrations add to the imagination of the young reader and enhance their memory of the material presented in the book. For a student who "hates" history or "hates" to read, I think this is a true find! I think it is a very interesting read for a young person (upper elementary through middle school and even a low reading highschooler or for a quick read for a highschooler.) It ties together the general overview of ancient history that they should be learning and ties in interesting vignettes. Having taught middle school level ancient world history, I wish I would have had this book when I was teaching. It is a bit slanted regarding who did what destruction (Christians vs. Muslims) but a thinking reader who checks their sources' origins, fact checks and reads more than one source on an era for a balanced view (as all of us should), I think it is a fine addition to any study of the ancient world. I like how the author continually tied her information to its impact on the modern world. Included lots of "memory hooks" to help a student organize their understanding of the era in their mind.

3 of 4 people found the following review helpful.
Trumbell's 'Library of Alexandria'
By Ryan Mease
This text is an excellent overview of the libraries history of contributions to the human condition. The illustrations are frequent and very lively additions to the work. I did notice two small details that don't fit with my knowledge of Greek history, but they are minor and need not be discussed here. Further, while some introductions function well for adults, this is not such an introduction; the material is really meant for adolescents, and, in this respect, it is wonderful.

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Selasa, 18 Oktober 2011

[T160.Ebook] Get Free Ebook The Essence of Photography: Seeing and Creativity, by Bruce Barnbaum

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The Essence of Photography: Seeing and Creativity, by Bruce Barnbaum

The Essence of Photography: Seeing and Creativity, by Bruce Barnbaum



The Essence of Photography: Seeing and Creativity, by Bruce Barnbaum

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The Essence of Photography: Seeing and Creativity, by Bruce Barnbaum

There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully.

In this book, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from more than 40 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping-stones that will lead you to your own heightened ability to see and be creative.

Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce's method of teaching photography, which he has used in workshops for the past 41 years.

Included in the book are in-depth discussions on the following topics:

  • Defining your own unique rhythm and approach as a photographer
  • How to translate the scene in front of you to the final photograph
  • The differences and similarities between how an amateur and a professional approach photography
  • The differences between realism and abstraction, and the possibilities and limitations of each
  • Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers
  • Why the rules of composition should be ignored
  • How to follow your passion
  • When to listen to the critics and when to ignore them
The book is richly illustrated with over 90 photographs taken by Bruce as well as other photographers.Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels-from beginners to seasoned professionals-to think deeply about the issues involved in creating successful photographs.

  • Sales Rank: #79094 in Books
  • Published on: 2014-11-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 9.75" w x .50" l, .0 pounds
  • Binding: Paperback
  • 196 pages

About the Author

Bruce Barnbaum, of Granite Falls, WA, began photography as a hobbyist in the 1960s, and after four decades, it is still his hobby. Photography has also been his life's work for the past 40 years.

Bruce's educational background includes Bachelor's and Master's degrees in mathematics from UCLA. After working for several years as a mathematical analyst and computer programmer for missile guidance systems, he abruptly left the field and turned to photography.

Bruce is recognized as one of the finest darkroom printers on this planet, both for his exceptional black-and-white work, as well as for his color imagery. He understands light to an extent rarely found and combines this understanding with mastery of composition, applying his knowledge to an extraordinarily wide range of subject matter.

Bruce has authored several books, some of which have become classics. His early publication of The Art of Photography: An Approach to Personal Expression (first published in1994 and going out of print in 2002) was updated, revamped, and newly released in late 2010 by Rocky Nook. This new book became an instant bestseller and is sure to remain a classic for years to come.

Bruce has been an active environmental advocate for more than three decades, both independently and through his involvement and leadership with organizations such as the Sierra Club, the National Audubon Society, the Mountain Loop Conservancy, Futurewise, and the North Cascades Conservation Council.

Most helpful customer reviews

40 of 42 people found the following review helpful.
Take the next steps beyond technique.
By Michael McKee
Most photo books describe how to take photos under varying conditions. Bruce Bamabum goes into making personal images, not by learning new techniques but by learning our own inclinations and, to use a currently trendy term, voice (my term - not the author's). Techniques and composition are mentioned throughout but not as ends in themselves. Rather both are put in service to personal vision and voice. As a friend of mine, Ray Ketcham says, "Anybody can learn your technique. Only you can make pictures that reflect your voice." For instance, we don't need to learn the rule of thirds to make "properly composed" images but because photos composed that way have certain impacts on the viewer. Is that what we want from a particular photo? Composition rules become composition tools in the service of how we want the image to display. Technical knowledge is always put in service to improving our craft not as an end in itself. Throughout the book Bambaum repeats the notion that photography is a skill and as with any skill practice, experimentation and making bad photos are necessary. Bad photos are not a negative, just something to learn from and if we don't make bad photos we haven't pushed out of our comfort zones. He makes the point that many of the worst photos he sees in workshops come from working pros who get into the habit of making commercially acceptable pictures not ones that reflect their vision. They forget how to experiment and take chances.

Bambaum covers more than just technique, though. He emphasizes getting instruction from multiple instructors and workshops (we learn different stuff from each), getting feedback or critiques of your photos and how to take that feedback, as well as how to learn from classes and such. Yes, there is a section on technique and gear, as well as a discussion of printing. Yes, again, those are put in service to making personal images not as absolutes or must haves.

Much of the book is relayed through the author's personal history. At times it's a tiny bit tedious but I don't know any other way to talk about personal process than personally. Bambaum shows a lot of his own photos. They are not all his most commercially successful images, rather ones that mean something to him and illustrate his points. That means that they may not all wow you, say, the way Joe McNally does. That's part of the essence of photography, too.

46 of 51 people found the following review helpful.
Good, but...
By John McQuitty
This is a hard one to review. The author is an acknowledge master of fine art photography, and if you aspire to improve your own fine art photography, there are some excellent tips in this book. In my opinion, however, it is a niche book. It details the author's story of how he got into photography, and why he prefers large format cameras (4X5 sheet film). Notbing wrong with that. He also details his preferred methods and techniques for taking/making fine art photographs, and his pictures are beyond reproach. What let's it down a bit is his obvious distain for any other form of photography. Not everyone is going to shoot scenics or abstracts, and haul around a van full of equipment, and take the time to set up each and every photograph with care and precision that the author feels is necessary. It is excellent to be reminded to check everything with extreme care, but most of us will shoot (and should shoot) more than the 3-4 snaps a week or whatever.

I began years ago trying to shoot pictures for a newspaper of football and basketball games with a 4X5 Speedgraphic. Great for fine art stuff, but horrendous for sports. We did this because the sports editor - still living in the 1930s and 1940s era, wanted large negatives for "quality." After a couple of years and LOTS of complaining by the staff, the old boy finally retired, and we got some 35 mm cameras with film drives. Our photography improved dramatically.

Finally, the author seems almost angry at times because everyone does not shoot as he does. He also seems determined to try at every turn to assure the reader that "good" photography is difficult, takes years to learn, takes incredable dedication to the exclusion of almost everything else, and you probably won't make it anyway. It would be nice to get a glimmer of encouragement occassionally. The author does recognize that some of the newer cameras might be used to take a descent picture - if you do all the painstaking work and take only a small number of shots - so you don't have to "dig through all that manuer assuming there is a pony in there someplace," and of course, go back to 4X5 film photography every month or so to refresh your techniques.

The author makes some wonderful photographs, but his technique and equipment are still from the 1940s era of Ansel Adams, and to that he aspires. For him there seems little room for anything else. I found this book hard to read. He seems almost angry that others would consider any other form of photography. It seems less about teaching others to make great photographs than about justifying the author's way of making them. However, if you aspire to make photographs like Ansel Adams or Bruce Barnbuam, and have the dedication to try, you should get this book, but do not expect anything but a very narrow "fine art" with large format perspective. Maybe that's the point, but...

4 of 4 people found the following review helpful.
I feel I'm falling in love with it and with photography
By Luis Fontana
I'm just starting to read it, the book arrived a couple of days ago. As far as I have overseen it, I feel I'm falling in love with it and with photography, I'm starting to understand the basics of the process to become a Photographer. Now, it seems to me that I'm going to be able to improve on the very essentials of photography.

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